Yet another shake-up. Will I ever be left alone to dwell in a chubby, buffered comfort zone? I’d barely regained my balance after being knocked for six in the gardens of the Marlborough region of NZ.
I’m currently re-listening to an audiobook of a very light-weight novel about a late-teen in the mid 1950’s who’s family owns a massive house dating back to Medieval times, with a huge extension by Inigo Jones.
Way back in 2009 when I ordered 24 sheets of colorbond, rolled to my specified diameter, it was my intention to organise the consequent 12 raised vegie beds to define an inner space. I suspected that it wouldn’t provide quite the sense of enclosure that the location required, but was prepared to give it a go first, and respond accordingly.
It’s the weirdest thing. You grow vegetables in order to eat them, right? How is it, then, that when the time comes to pick, the knife can hover over them, poised for the kill, but waver in vacillation?
I’m just back from Nelmac Garden Marlborough – a garden festival like no other, based in Blenheim, in the Northern-most part of the South Island of New Zealand.
I boldly state ‘like no other’ for two reasons.
I have a client who cuts off all her wisteria flowers. She loves its ability to follow a wire and create a precisely controlled woody structure, but hates the simpering mauve of the flowers.
I’ve watched flowering cherries come and go for over thirty years. For most of that time I’ve accepted the brevity of their flowering without ever having taken notes or any other records in order to establish exactly how long the flowering lasts. The best I could do was guess, and from memory I’d have estimated two to three weeks, depending on the weather, and that in certain conditions it might be as little as three days. But I’ve learned not to trust my memory.
How sweet are these words, at the end of a long article by one C. E. Baines…
It’s a big moment for me: the moment of the flowering of Tulipa batalinii.
Imagine a world before screens, when all images depended on reflected rather than penetrant light (OK, OK, except those in stained-glass windows). Go back earlier and imagine a world before photography, when all illustrations were drawn, painted etc, and the best depictions of flowers were the astonishing – but undeniably flat and matte – water-coloured lithographs of Curtis Botanical magazine.
Its that time of year when even the most depressing of hardware garden centres is underservedly graced, for just a few weeks, with the ambrosial – the paradisiacal – the entirely matchless – scent of boronia.
One of the unsung aspects of gardens is their super-ability to have one foot in timelessness and the other in the current moment.