So here’s the rest of the poem, following on from Monday’s post. My point was that if real plants were truly in danger of being superseded, the media and the nurseries had to take partial responsibility for devaluing or underselling both the depth and breadth of the appeal of gardening.
As for jargon or historical references that might require explanation:
Cabbage Patch baby – a realistic looking baby doll.
Two innovative Americans – James Van Sweden and Wolfgang Oeme, who’d popularised the use of grasses as ornamental plants
The ‘New Wave’ – an early term for the ‘New Perennial Garden’, the great hero of which is now Piet Oudolf
Garden show designs – the type of thing you’d see at MIFGS or The Australian Garden Show Sydney, which were then only ever severely planted with young nursery plants, that gave you no idea what they’d look like when they grew up, or what your spacing should be in a real garden setting
John and Betty – a first or second-grade reader from the 60’s and 70’s
HMA – The Horticultural Media Association – the group I was addressing
To put you back in the picture, you’ll recall that I was just savouring the discovery of real, slow gardening…
I wallowed in this feeling
but with the media grew frustrated,
For in all I’d seen, and all I’d read
This hadn’t been communicated
And taking this thought further, it seemed
That it really wasn’t right
That despite the range of senses involved
The media was fixated on ‘sight’
And should it? Went the thought
For while the visual is preferred
Is there not room for wielding
The evocative power of the word?
As our images improve and reach
new levels of sophistication
Shouldn’t the corresponding words transport
to new heights of elation?
And yet, it would seem that the two
Are thought to be mutually exclusive
And as the images grow more important
The words grow more elusive
For the content of the magazines
Is nothing but titillation
When the opportunity exists
For inspiration and education
And photographers can do still more –
For pics are not just illustrations
At best they convey deep feeling
Not just flowers in pretty combinations
Then the make-over shows, which have their place
By their nature have ignored
That much of the joy is in growing things –
That in the nurture is the reward
For to offer potential garden lovers
The static courtyard, is maybe
About as appropriate as giving
A childless couple a cabbage patch baby
The children analogy stretches more
For as a father I’d say
That while children are more trouble than they’re worth
I wouldn’t have them any other way
The radio has created its very own case,
For garden-doctor talk-back leads
To the conclusion that gardening is nothing
But a war on insects, fungi and weeds
But picking on the media, I don’t mean to imply
They’re either incompetent, or slack
Its not that they’re doing anything wrong
Just the balance that’s out of whack
Lets no longer only dwell
On the aspirational or the factual
but learn from our own experience
That in gardening one touches the spiritual
One cannot learn this second hand
We are forced to do a trade
Of time behind the computer screen
For time behind the spade
And what of designers, like myself?
Shouldn’t we also be trying hard
To show there are more rooms in this house
Than the minimalist courtyard?
‘But it’s the clients fault’ we can always say
A real garden isn’t what they covet
But with some insistent encouragement
I can’t help but think they’ll love it
Who would have thought we’d ever drool
Over images of frosted grasses
That took two innovative Americans to push
While we sat on our arses
Of course clients will say they want low maintenance
But its up to good designers to show
That it doesn’t have to be difficult –
They’ll do – if the know
And furthermore, I firmly believe
The low maintenance issue should go
I’d rather plant than sweep any day
and rather prune than mow
For the minimal courtyard isn’t low on care
It’s advantage is that all can see
What needs doing, and what needs cleaning
Without a horticultural degree
It’s the simplicity of maintenance
That makes them so attractive
We need to show real gardens can be
Both easy and interactive.
While on real gardens, nows a good time
To speak of those garden-show designs
You know the thing, all gimmicks
And nothing but nursery lines
Now the gimmicky feature is essential
to make people stop and look
But why can’t they use some well-grown plants
Instead of just nursery stock
And the nurseries – what are they doing
But responding to a perceived need
And as perceptions are still narrowing
Who is going to take the lead?
And so we come back to the media
As the purveyors of popular taste
Are they also just responding?
and allowing their influence to waste?
And so it seems for all of us theres
Much new territory to explore
The ‘new wave’ shows it is broadening –
So lets explore it more
For gardening is a rich language
In which we can barely claim to be literate
When we use such a limited vocab –
such a small and clumsy bit-of-it
Lets not allow this language to narrow –
There’s room to grow a-plenty
As it is, instead of writing ‘War and Peace’
Were going back to ‘John and Betty’
If our perceptions of beauty are largely learned
Then it can only be supposed
That our ability to appreciate will expand
When to new beauties we’re exposed
For there are forms yet to be used
Though it is possible I’d say
That some may be as silly or inappropriate
As corny rhymes at the HMA
So its up to everyone of us
To each and everyone here
To help to regain the long lost ground
And open up a new frontier
I find it much better listening to you read it. You do it well. So what do you think of Martha Schwartz?
I love, or should I say loved, Martha Schwartz – dunno what kind of stuff she’s doing now. When I first heard her speak in 1989 – not that long after the purple gravel/bagel combo that put her on the map – I ran up to her afterwards and wanted to give her a big cuddle. I changed my mind at the last moment, and just thanked her for clarifying better than any of the plant-driven gardeners speaking at the conference (which included such names as Beth Chatto, Christopher Lloyd, Penelope Hobhouse) what we were really attempting when making gardens. I love that sort of cutting edge design – my complaint was what was happening to actual gardening, how options were being serverly reduced, the range of plants likewise, and how this fabulously life-giving, multifaceted pursuit was being undersold
I love that you have to explain what a Cabbage Patch Doll is… aw thanks for making me feel like an old fogy!!
No worries, Penny. That was actually for the benefit of my huge International readership. Nevertheless, you and I have got a big fact to face in the next few weeks…